Showing posts with label hand stitched. Show all posts
Showing posts with label hand stitched. Show all posts

Wednesday, May 31, 2023

Under Drifting Stars

Under Drifting Stars

2022, very light weight cotton with a silk batt, 86 x 91 inches.

A world of spirit thinly veiled, a secret mystery.  Our cosmos, our day and night, the sun and the moon, and also the stars.  Childhood and also eternity.  Also emotions.  Also dreams.

I make quilts that are large enough to cover a family.

The cotton was first treated with tannin (sumac leaves) and then dot-painted with water that had a little iron powder in it.  Judy painted the fabrics on her birthday in July 2020, during the height of the pandemic.  In the spring of 2022, she arranged the fabrics and hand pieced them.  Over the summer, she hand embroidery-quilted the large quilt in a hoop.  

The upper half of the quilt has shapes that resemble a moon and some suns, or maybe all of them are moons.  

The dots were outlined with quilting thread and pulled tightly so that they would puff out.  Some of them are so puffy, they look as if they are appliqued, but they are painted.

A thicker wool thread was used to outline the larger shapes.

The lower part of the quilt also has painted dots, but this time the artist embroidered over each dot with embroidery floss to make rough satin stitch dots.

The lower half of the quilt was quilted with pink silk thread, while the upper half was quilted with white silk thread.  The subtle change of colour of thread is noticeable.

Yes that is a seam that joins the upper and lower halves of the quilt and it has been made into a tuck to create a wavering horizon line.  


The back of the quilt is also marked with the same dots, but not with paint.  Just the threads are used and you can see how they are actually a way of quilting the two sides of the quilt together, while also making a pleasing image on the back.  The pink fabric is cotton dyed with avocado.


Under Drifting Stars made its premier in the prestigious Quilt National 23 exhibition in Athens Ohio in May of 2023.  

It was awarded the Handwork award.

A video of Judy speaking about making this quilt can be viewed here.  

The exhibition of Quilt National continued at the Dairy Barn until September 11, 2024, and then toured to Canton Museum of Art in Canton, Ohio and the Historical Society of Clay County in Morehead, Minnesota in 2023-2024.

Wednesday, March 25, 2020

red thread hearts

 red thread hearts 2019, a two sided piece (detail side b above)
red thread hearts side a
sixteen women's handkerchiefs, damask table cloth, cotton and silk threads
hand stitched, 76" x 76" or 193 x 193 cm
the women's handkerchiefs are edged with red thread and then appliqued to 20" of damask
the damask squares are then hand sewn together, each sam is hemmed
The central whirl is made with a running stitch and appears the same on both sides of the fabric
 red thread hearts side b, reverse applique, red cotton thread couched with silk thread
circular motifs made with red thread are protection symbols for the mother in  many world cultures

Wednesday, January 22, 2020

Flowers Started Blooming Inside Me


Flowers Started Blooming Inside Me   found wool blanket, saddened with iron, cut and stitched with yarn,   67" x 62"  2020
Flowers Started Blooming Inside Me (verso side)  vintage blanket saddened with iron, cut, appliqued and stitched by hand, 67" x 62"  2020



 Flowers Started Blooming Inside Me   2020
wool threads, dyed velvet
cut, appliqued, stitched by hand
a two sided piece
here viewed as a sculpture
Flowers Started Blooming Inside Me
detail of side a 

Thursday, November 7, 2019

How Much I Tried Not To Worry

How Much I Tried Not To Worry
Variety of Found Fabric, Acrylic Paint, Wool Thread
hand stitched, 39" x 39"

First exhibited at Judy Martin's solo exhibition at One Sky Gallery, Sudbury Ontario April 2019
Beauty, Emotion, Spirit, Soul
Second exhibition was Craft Ontario 19, Toronto, Ontario Sept 2019, awarded Best of North 
Available through Perivale Gallery, Manitoulin Island, Canada 
A companion piece entitled Beauty, Emotion, Spirit, Soul is similar but stitched with white
silk thread rather than black.  It sold out of the Sudbury exhibition into private collection April 2019.

Tuesday, October 1, 2019

the sun, the moon, and also the stars

The Sun  side a
plant dyed velvet, cyanotype on cotton, wool threads
 The Sun side b
wool felt, acrylic paint, wool thread
stitched construction of separate collages
35.5 " high x 25.6 " wide
The moon side a
plant dyed velvet and flannel, wool thread
 The moon side b
wool felt, wool thread, a construction of separate stitched collages
35.8" h x 26" w
 And also the stars side a
Plant dyed velvet, men's silk ties, wool thread
reverse applique
and also the stars side b
wool felt with wool thread, hand stitch
33" h x 20" w

Exhibition story
2018:  Cloth of Time, Mary E Black Gallery in Halifax Nova Scotia.  A two person exhibition.
2021:  Perivale Gallery for the season.  One piece, (And Also the Stars) sold into private collection.

Thursday, September 19, 2019

My Awakened Heart / Noble Tenderness

 My Awakened Heart  2019

cotton, sari silk, paint,  silk velvet, cotton threads
regular and reverse applique, couching, embroidery, hand quilted
55" h x 49.5" w
A two - sided piece
 Noble Tenderness 2019
wool, plant dyes, cotton threads, sari silk
entirely hand stitched
55" h x 49.5" w
photographs by Nick Dubecki

Exhibition Record:
guildworks gallery Bloomfield Ontario   summer of 2020
VISIONS 2020  San Diego California USA   October 2020 - January 2021
included in In the Middle of the World two person exhibition with Penny Berens, opening at the Mississippi Valley Textile Museum October 2, 2021 and continuing until mid December. 
 

Thursday, May 10, 2018

love meditations


Love Yourself

cotton, stitch, mounted on linen, framed behind glass
further stitch added in 2019
48.5 cm h x 48.5 cm w  (19 inches square)
I will always carry you

indigo dye, silk, cotton, stitch, mounted on linen, framed behind glass
further stitch added in 2019
48.5 cm h x 48.5 cm w (19" square)
Growing is what Life is For

hand made paper, type writer ink, stitch, mounted on linen, framed behind glass
48.5 cm h x 48.5 cm w  (19" square)
Your Vulnerability Connects you to the Rest of Our Suffering World

antique shattered silk, stitch, mounted on linen, framed behind glass
48.5 cm x 48.5 cm   (19" square)

exhibitions:

2018   All four of the Love Meditations
          the Perivale Gallery, Manitoulin Island during the summer season

2018  Love Yourself and Your Vulnerability Connects You
          The David Kaye Gallery, Toronto

2019  April 5 - 30
          the four Love Meditations were included in the one-person exhibition
          beauty, emotion, spirit, soul 
          One Sky Gallery, Sudbury Ontario
 
All are now in private collections.        

Thursday, December 7, 2017

Earth and Air

 
Earth and Air   2017  plant dyed wool, linen damask, machine and hand constructed, hand stitched
94 inches high x 82 inches wide  (238 cm h x 208 cm w) 



Exhibition record;

a key piece for Judy's solo exhibition "The Cloud In Me" at David Kaye Gallery in the Queen West area of Toronto, month of October 2017.
included in Fibreworks at the  Queen Square Gallery in Cambridge, Ontario, October 2018

Earth and Air is currently in the collection of the artist, available for purchase.

Wednesday, August 23, 2017

witnesses

Witnesses  (Ironing Stories)

three felted vintage ironing pads, one aluminum cloth cover
wool threads, velvet
hand stitched
2017
Only one exhibition so far:

Hard Twist 12:  Yarn,   Gladstone Hotel , Queen Street West, Toronto Ontario
fall of 2017 

Friday, February 17, 2017

My Light Green Heart

 My Light Green Heart    22.5" wide and 29" high  (57 x 74 cm ), 2017  old linen damask, procion dyes, cotton and wool threads,  Tucked, stitched and quilted by hand
how she submitted, 
loved,
loved her interior world
her interior wilderness
the primal forest inside her where among decayed tree trunks
her heart stood
light green


Rainer Maria Rilke
(using the female rather than male pronoun)
Exhibitions

2017:
Craft Ontario 17
1106 Queen West Toronto

Perspectives From Here   Northwestern Ontario artists about Canada 150
Thunder Bay Art Gallery
Thunder Bay Ontario

2018:
January 11 to March 30
Quest Art High Craft Juried Exhibition
Midland Ontario
AWARD  (second place)

2019:
Perivale Gallery summer season, sold into to private collection

Tuesday, December 20, 2016

soft summer gone


Soft Summer Gone  2016

262 cm h x 256 cm  - approximately 100 inches by 100 inches
The fabrics are silk that have been dyed with local plants from Manitoulin Island
The piece is quilted with hand embroidery.   Silk and wool threads
Couching and stem stitch.

completely construcgted by hand stitch
and quilted with hand embroidery

Soft Summer Gone won two awards for Surface Design in Quilt National 17,
It showed at the Dairy Barn, Athens Ohio from May to September 2017.
It went on as part of that exhibtion to Riffe Gallery, Columbus Ohio in the spring of 2018.

In November 2020, it was acquired by the International Quilt Museum in Lincoln Nebaska for the museum's Quilt National collection. 

Monday, April 18, 2016

large emptiness, small marks: a portfolio of sketches



 Large Emptiness Small Marks  2016  silk, cotton, rayon, linen damask fabrics stitched with cotton, silk and metallic threads.  36 pages within a hand stitched taffeta folder, each page is 33 cm x 33 cm.

A portfolio of sketches for large-scale (2.5 m or 90" ) square quilts.  Each 33 cm square cloth page is an idea for a larger cloth construction that will be filled with hand stitched marks.  A large square grid is formed when all thirty-six sketches are displayed at one time that measures 200 cm x 200 cm.
The squares are each filled with horizontal lines or large circles and are made from layers of lush, calm fabrics.  Each page is a complete idea and can be displayed singly or within a larger group.  This artwork encourages close physical engagement and considered viewing over time.  The slow actions of undoing buttonholes, opening the folder, and lifting each page encourages contemplation.   Unconscious memories are unlocked by the sense of touch.